Editor-in-Chief, Jessica Sheridan
IN THE NEWS
AROUND THE AIA + THE CENTER
At the Center for Architecture
Editor's Note: For a preview of the Summer issue of Oculus (theme: Architecture as Public Policy) due out the first week of August, see Around the AIA.
REPORTS FROM THE FIELD
Un-cluttering a Kahn Classic
A restored gallery on the third floor includes the north window wall overlooking the sculpture garden—once hidden from view by offices.
Copyright 2006 Yale University Art Gallery. Photo: Elizabeth Felicella
Like proud parents (l-r): Polshek Partnership project manager Steven Peppas, AIA; partner-in-charge Duncan Hazard, AIA; Yale University Art Gallery director Jock Reynolds; and project architect Lloyd L. DesBrisay, AIA.
On a steamy July Tuesday, a handful of journalists enjoyed a well-chilled hard-hat tour of the almost-completed restoration of Louis Kahn's 1953 Yale University Art Gallery. "This has been a tough job," mused Duncan R. Hazard, AIA, lead architect and partner with Polshek Partnership Architects, looking relaxed (and relieved) during the briefing. He said that Kahn knew exactly what he wanted, but not exactly how to build it. "The whole thing was experimental."
Louis Kahn's original design of the 1953 Yale University Art Gallery included light-filled studios for art and architecture students and expansive exhibition spaces under his famous tetrahedron ceiling. Over the years, studios were moved to other buildings, and the museum was divided into a warren of smaller galleries, classrooms, offices, and storage. Even the five-story window wall facing Paul Rudolph's 1963 Art and Architecture building had been reduced to four floors when an exterior courtyard on the basement level was roofed over to create additional interior space.
Now, everything is being put to rights. A new window-wall system was developed that duplicates the original—without its many technical shortcomings. Partitions have been removed, creating vast, uncluttered spaces for exhibitions; a newly engineered version of Kahn's original "pogo" wall units will allow the spaces to be easily reconfigured as needed. All of the building's mechanical, electrical, power and data, fire-protection, elevator, loading dock, and security systems have been replaced or upgraded—along with the addition of air conditioning, something the building sorely lacked.
Staten Island Improves Water Quality
Butterfly Pond in the Staten Island Bluebelt is one of the many rehabilitated areas resulting from Best Management Practices.
Event: The Greening of NYC's Flood Control Infrastructure: The Innovative Staten Island Bluebelt Program
Instead of paving and sewering Staten Island's watershed as proposed in the 1960s, the NYC Department of Environmental Protection (DEP) is creating a drainage system that melds residential street storm sewers with natural drainage corridors. In order to marry these artificial and natural systems, the DEP began a major capital program in 1997 to build special facilities that mitigate water quality and velocity before entering the watershed. Known as "Best Management Practices," or BMPs, these facilities include extended detention basins, stream restorations, pocket wetlands, outlet spilling basins, and sand filters. Beginning with the southern tip of Staten Island, the agency has built 37 such facilities to date, and has begun to incorporate northern watersheds into the system through land acquisition and facility construction.
Water quality monitoring has shown that BMPs provide a significant reduction in contaminants entering the watershed and create a healthier habitat for wildlife while protecting against flooding. Because of its success, the Bloomberg Administration and DEP plan to expand the program into mid-island areas, including New Creek, South Beach, and Oakwood Beach.
Aaron Slodounik is a freelance art and architecture writer.
Building Brooklyn Awards Celebrate Urban Growth
Tim Bade of Steven Holl Architects, Guido Hartray of Rogers Marvel Architects, and Anthony Turturro of Sciame (l-r) at the Building Brooklyn Awards.
Event: Building Brooklyn Awards 2006
The Building Brooklyn Awards honor pre-selected winners among the borough's newly constructed projects. This was a celebration of achievements and progress, not a forum for debate over the direction the borough's built environment is taking. Thus, all the contention of recent years over Atlantic Yards, gentrification, subsidies, neighborhood scale, etc. was left outside in the searing heat. Inside the Brooklyn Museum all was cool temperatures, cool heads, avid networking, and warm recognition for striking designs. (But how can it feel like Brooklyn without at least a touch of tsuris?)
Winners in many categories leaned toward flexible, beyond-the-box variants on modernism, with a particular emphasis on sustainability, use of Brooklyn-based vendors in construction, and innovative lighting. The Rogers Marvel Architects/Steven Holl Architects design for Pratt Institute's Higgins Hall renovation, with its glowing Mondrian-cluster geometries, continues to dominate every category in which it's been recognized (Education, this time). The DeKalb Avenue Apartments (SLCE Architects), winner in the Residential Affordable Housing category, also shared the on-the-spot People's Choice Award with the Rheingold Gardens Partnership Homes in Bushwick (Magnusson Architecture and Planning), the winner in Brownfield Redevelopment, implying that affordable homes are on the minds of this audience, skewed toward representatives of local real estate communities.
Much of the evening was devoted to the achievements of two important players in Brooklyn's renaissance: DCP's Regina Myer, whose efforts to stimulate new construction at multiple sites inspired Daniel Doctoroff to rhapsodize about the proliferation of cranes, and Douglas Steiner, whose new Steiner Studios has turned the Brooklyn Navy Yard into the nation's largest film facility outside Hollywood. Brooklyn's industrial past is arguably giving way to a new cultural economy, peaking along the L, F, Q, A, and even the G lines. A full list of winners is available on the Brooklyn Chamber of Commerce website.
Bill Millard is a freelance writer and editor whose work has appeared in Oculus, Icon, Content, and other publications.
The Center Puts Culture on the Map
Courtesy Center for Architecture
Event: City of Culture: New Architecture for the Arts exhibition opening
Visually charting the myriad cultural venues scattered across New York, the massive map towering over the entry to the "City of Culture" exhibition provided a prelude to the event's opening remarks. Speakers Susan Chin, FAIA, and Randall Bourscheidt called the great volume of cultural institutions in New York, "unparalleled in recent history." Unspoken, was the impact these organizations must have on their communities. Focus on these projects weaves the five boroughs of New York together with varied types of arts and cultural facilities, and cross-references both with a variety of architectural interventions—new construction, adaptive reuse, and preservation.
Renderings, models and plans of the 53 projects on display remind New Yorkers that cultural institutions, by definition, expand the boundaries occupied by traditional arts groups, extending to gardens and zoos, as well as nature and science buildings. This fact is highlighted in the presentation of six new buildings: the New Museum of Contemporary Art on the Bowery (SANAA); the renovation of the Bronx Zoo Lion House (FXFOWLE); the new Administrative and Visitors' Center at the Queens Botanical Garden (BKSK Architects); the Weeksville Heritage Center Education Building and Interpretive Landscapes (Caples Jefferson Architects); the restoration of the Snug Harbor Cultural Center Music Hall on Staten Island (Rafael Viñoly Architects); and the transformation of Lincoln Center for the Performing Arts (Diller Scofidio + Renfro).
"City of Culture: New Architecture for the Arts" will be on display at the Center for Architecture through 09.07.06 (See On View). The exhibition is presented by the Alliance for the Arts in partnership with the AIA New York Chapter.
Light Dances on Every Surface at Four Seasons
The walls of the Four Seasons seem to glow because of the intricate lighting design.
Event: A Lighting Tour of the Four Seasons
Standing at Table 32, or "Philip Johnson's table," Four Seasons general manager and co-owner Alex Von Bidder spoke of the titans of industry, media moguls, power brokers, politicos, celebrities and other bold-faced names who frequent the restaurant. But the design professionals attending the June 24 tour were more impressed when he and lighting designer Ann Schiffers discussed how architect Philip Johnson, lighting designer Richard Kelly, fixture manufacturer Edison Price, and artist/sculptor Richard Lippold collaborated on the design of the restaurant on the first floor of the Seagram Building that would become a designated interior landmark.
Built in 1957-58, the Four Seasons was the first interior restaurant space to use International Style aesthetics—towering trees, a white marble pool, French walnut-paneled walls, bronze railings, beaded aluminum drapes, a Picasso-designed curtain, Mies chairs adapted for restaurant seating, Philip Johnson-designed banquettes, private party chairs by Charles Eames, and Eero Saarinen hassocks and taboret tables. Every item—from silverware to match covers to uniforms—had a renowned artist, designer, or architect attached to its creation.
The Four Seasons Restaurant exemplifies Richard Kelly's "philosophy of light," which he applied throughout. For example, ambient luminescence was incorporated into the paneled walls. To make them glow, Kelly and Edison Price designed a continuous, linear wall-washing system. Throughout the restaurant, the curve of the unit's bronze-finish reflector provides glare-free illumination, despite the wall's glossy, dark surface. Focal glow was used at the foot of a Picasso painting in the entrance corridor by placing cold cathode lamps behind translucent alabaster panels. In the Pool Room, low brightness, silver-bowl incandescent downlights created a luminous pool of water, and incandescent underwater "cans" were recessed into the planters to uplight the foliage. For a "play of brilliance," Kelly used miniature downlights—or "sparkle lights"—that created the effect of an overhead constellation.
The tour was a sidebar to the exhibition, "Light | Energy | Impact: The Legacy of Richard Kelly" currently on view at the Center for Architecture through 09.16.06.
Exploring the Guts of New York
Jacket design by Steven Puetzer/Iconica
Event: The Works: Anatomy of a City
It was in the wake of 9/11, the least mundane of events, that Kate Ascher, a former Port Authority employee, decided to write The Works: Anatomy of a City celebrating the mundane by exploring the guts of New York City. Ascher was on hand at the Center for Architecture July 19 to answer everything you ever wanted to know—and more—about how the city moves people and freight, supplies power and communications, and keeps itself clean.
Aside from using catchy presentation graphics that compliment the illustrations in her book, Ascher made infrastructure seem sexy by contrasting old systems with their modern equivalents. For example, between 1897 and 1953, mail was transported by the Pneumatic Tube Mail Network, a system of underground pipes featuring steel cylinders that were greased and blown from Herald Square to Grand Central in four minutes. Modern mail is electronically scanned and bar-coded before being delivered, a process that takes much longer than four minutes! Furthermore, when the machine can't read your writing, illegible envelopes are digitally captured and interpreted by a worker at a remote location.
When asked what was the most surprising fact that she discovered while researching her book, Ascher replied, simply, electricity. "Considering all that is involved in its production and delivery, it's amazing that it works 99.9% of the time." Thanks to Ascher, we no longer have to wonder what happens when we flip the switch, flush the toilet, or take out the trash.
A review of The Works: Anatomy of a City will appear in the winter Oculus.
Murrye Bernard, Assoc. AIA, is proposal manager for Polshek Partnership Architects and editor for AIA AssociateNews.
Film Documents Life in Chinese Villages
Back alleys of "villages within a city" in Guangdong, from "The San Yuan Li Project."
Courtesy People's Architecture
Event: 3×3: A Perspective on China—S[CR]EE[N]ING CHINA Documentaries from China
Filmmakers Ou Ning and Cao Fei eschew traditional Chinese documentary norms and an overt political message to present the viewer with what is best described as a cine-poem composed of apparently random images that form a touching whole. "The San Yuan Li Project" is a striking tapestry of often compelling vignettes, such as traditional Chinese opera performers putting on makeup as children watch through the windows.
"The San Yuan Project" explores life in a "village within a city" located in Guangdong. "Villages within a city" are being constructed throughout China's vast and rapidly growing metropolises. These communities, inhabited mostly by transitory residents such as migratory peasants, have become the subject of much academic research. The conflicts between modernization and peasant ethos are among the issues studied. This film penetrates the academic veneer to explore the residents' lives in this gritty and at times claustrophobic neighborhood.
The project is actually a collection of films made by individual crew members, each owning a camera; Ning and Fei then wove together the crews' contributions. Months before shooting began, Ning noted during the Q-&-A session, the film crews lived among the residents, gaining their trust. The residents' ease translates into often lively shots and a transfixing journey through this "village within a city."
Robert McGeachy is an Intermediate School Science teacher working in Queens. His stories have appeared in the Journal of the Society of the Study of Architecture in Canada and The Beaver Magazine.
The Figure/Ground Relationship of Fuller/Noguchi
Buckminster Fuller with his Portrait by Isamu Noguchi, 1929. Chrome allows for full reflectivity and does not cast a shadow.
Photography by Isamu Noguchi, courtesy The Noguchi Museum, NY
Event: Lessons from Fuller and Noguchi for Contemporary Art and Design
Figures emerge against a two-dimensional field throughout Isamu Noguchi's work. Buckminster Fuller developed systems that create three-dimensional inhabitable fields. Both dealt with the issue of monument versus field, but their strengths show in different ways, argues architect and professor Reinhold Martin. Noguchi's "Red Cube," 1968, in the courtyard at the Marine Midland Bank, sits on a concrete ground with the bank's curtain wall acting as a vertical field behind it. Noguchi's success lies in the ability to create mystery and paradox, as the cube seems to defy gravity sitting as oblique monument on its corner. Fuller's Geodesic Dome City, 1968, consists of a system-based, transparent skin forming a large dome over NYC. The dome, a modular field, acts as an enormous monument enveloping a two-mile portion of the city. The rationality of the system symbolizes Fuller's strengths.
Although the execution of Fuller and Noguchi's work may differ, their work is similar and in many ways complementary, according to artist Josiah McElheny and engineer Guy Nordenson, who spoke at the Urban Center July 20. Ultimately, the most important issue for Fuller and Noguchi was to create work that generates thought and experience, whether or not it is realized in full scale. Noguchi's "Contoured Playground for Central Park" was never built, but Noguchi saw opportunity to generate discussion by making bronze, table-sized models. Similarly, Fuller's Geodesic Dome City continues to inspire even though there is little possibility that it will ever be constructed. Fuller and Noguchi were not just thinking about practicality of construction, they were trying to reveal a thought process of networks and patterns from which future artists and designers could work.
As they had hoped, Fuller and Noguchi continue to inspire artists, architects, and engineers both conceptually and practically. The original Freedom Tower proposal that Guy Nordenson and Associates developed with Skidmore, Owings & Merrill, incorporated twisted pylons and diagrid bracing referencing Fuller's tensegrity structures and Noguchi's Akari lamps. McElheny's series, "Landscape Model for Total Reflective Abstraction," is based on Fuller and Noguchi's conceptual discussions about human interaction and creating a shadowless space through reflectivity. McElheny creates reflective tables with glass models of Noguchi sculptures. Because of the materials, field and monument meld and no shadows are cast. In addition, once a viewer is introduced, he or she casts a reflection onto the piece fully integrating the viewer with the work.
The "Best of Friends: Fuller and Noguchi" exhibition will be up through 10.15.06. Go to The Noguchi Museum's website for more information.
Mori Unites New Materials with Nature
The House on the Gulf of Mexico shows sensitivity to endangered species and mid-century architecture.
Courtesy Toshiko Mori Architect, tmarch.com
Event: The Dilemma of our Time: Technology and Culture
Being architecturally sensitive to the site, culture, history, energy use, ecology, and land consistently threads through the work of Toshiko Mori, FAIA. Whether it's in the materials, preservation, or new construction, her work is designed with simplicity and a rich palette of colors and textures.
"The human perception of materials is ephemeral," Mori said. Her work uses experimental materials that interact with people—thermal paint that changes colors when touched, and glass that emits a breaking sound when one comes too close, for example. A staircase made from seven layers of woven fiberglass with an inner layer of balsa wood showcases her fascination with materials. The entire assembly weighs only 300 pounds and offers the added advantage of being bulletproof.
The House on the Gulf of Mexico, a private guest house for an original Paul Rudolph house in Casey Key is one of several houses in Florida sensitive to endangered species in the area (manatees, loggerhead turtles). The Rudolph House—and many examples of mid-century architecture—are a different kind of endangered species, Mori said. Their preservation should be approached with the same thoroughness.
In describing the challenge of designing the Visitors' Center and Garden pavilion for Frank Lloyd Wright's Darwin D. Martin House in Buffalo, NY, Mori deserves the sympathy of every architect. "How can you build next to Frank Lloyd Wright? You can't win at his game," she said. "You need to be assertive but in harmony." The resulting structure, a simple glass box, "plays chess" with Wright's house: where he is heavy, she is light; where his roof dips down, hers turns up, and so on. In studying Wright's design, the simplest lesson, and one that is most overlooked, according to Mori, is this: "Don't isolate architecture from nature's program."
Wendy Talarico is a journalist with more than 25 years of experience as a writer and public relations and marketing consultant. She is a former senior editor at Architectural Record and This Old House, and former web editor for Metropolis. She is currently writing a cookbook: "A History of the School Lunch," to be published in 2007.
Let "CLICK" be a lesson to all young architects with families. Learn to apportion your time and remember that we only go through this life once. Enjoy every moment of "family time"; the clients will just have to wait. Been there, done that, regret it wasn't just a nightmare at Bed, Bath & Beyond.
To read "Click Crit" by Rick Bell, FAIA in the 07.11.06 issue of e-Oculus, click here.
EDITOR'S SOAPBOX: Engineers Rule… for now
The debaters (l-r): ICE representatives Melvin Febesh, and Edward Plotkin, PE; moderator and ICE New York Chapter President Colin Barratt; and AIA NY representatives Chapter President Mark Strauss, FAIA, and Chapter Executive Director Rick Bell, FAIA
Jessica Sheridan, Assoc. AIA
There had to be a winner, but architects and engineers rarely gather in a friendly atmosphere. For a change, the two groups emerged from their lairs—or offices, rather—on the evening of July 13 for a friendly debate entitled, "Architects Should Lead the Design of Public Infrastructure Projects: Who's on Top." Only the New York Chapter of the Institution of Civil Engineers UK (ICE) and the AIA New York Chapter could pull off such a parley filled with wit, cynicism, and amicable elbow nudging… or maybe it was the beer speaking.
Both groups faced traditional criticisms (architects are good for making things pretty and engineers lack creativity) and compliments (architects try to make the world a better, more exciting place to live and engineers actually make things work). Thanks to AIA NY Chapter President Mark Strauss, FAIA, and AIA NY Executive Director Rick Bell, FAIA, representing architects, and Edward Plotkin, PE, former Commissioner of Public Works for Westchester County, and Melvin Febesh, Chairman of Urban Foundation/Engineering, speaking for engineers, not a jab, joke, or stereotype was left unchallenged.
Ultimately, the architects lost the debate, out-cheered and out-numbered by the vociferous engineers in the audience. I think AIA NY not only should host a rematch, as was suggested at the end of the debate (architects were underrepresented!), but it should start hosting more social events aimed at pairing different groups against architects. Here are some of my suggested pairings: architects vs. landscape architects; architects vs. construction workers; architects vs. artists; architects vs. philosophers; architects vs. educators; architects vs. scientists; or even architects vs. regular people. Architects should be more social, and besides, I'd personally like to see how we'd fare.
IN THE NEWS
Light Rail Links Newark Community
North Shore Greets Solar-Hydrogen House
Triangular Glass Tower Grows in Brooklyn
Met Opera Launches Art Gallery
Streetscape Makeover to Perk Up LIC
W Philadelphia Opens New Doors
Handel Architects and AvroKO have been named the architectural and design team, with the former serving as the lead design architect for the project. The new hotel will be located in the Center City District, close to restaurants, high-end retailers, museums, galleries, theaters, and cultural institutions such as the Kimmel Center for the Performing Arts.
ACE-USGBC Form Strategic Partnership
AROUND THE AIA + THE CENTER FOR ARCHITECTURE
Architecture as Public Policy is Theme of Summer OCULUS, in Mailboxes First Week of August
Today, architects, city agencies, developers—and the public—have a greater stake than ever in our built environment. The summer issue of OCULUS tackles the AIANY Chapter's 2006 theme, "Architecture as Public Policy." The subtitle, "Listening, Learning, Leading," represents a set of skills that, when mastered, will boost the architect's influence in the civic arena.
Feature articles include how the NYC Department of Design and Construction is reaching out to architects to ensure better public architecture, and tips about the vital do's and don'ts of public outreach. An affordable housing project, two schools, a police facility, and a memorial offer case studies of architects and civic engagement. There is also a no-holds-barred commentary on post-9/11 architecture and the political process at Ground Zero by five outspoken experts on the topic. And more!
OCULUS is sent free to all members of AIA New York and AIA New York State, and subscriptions are available for $40 ($60 for international subscribers). Click here for the online form. Summer OCULUS is scheduled to mail the first week of August.
New Housing Takes to the Bronx
Approximately 75 developers, architects, and building professionals attended the NHNY site visit.
Karen Hu, New York City Department of Housing Preservation and Development
The New Housing New York (NHNY) Legacy Project competition site, 40,000 square feet located at the southeast corner of East 156 Street and Brook Avenue in the South Bronx, is steeply sloped and bound at one end by an abandoned single-track railroad and retaining wall. Offering an overview of the community and neighborhood context as well as a summary of the new housing and commercial development projects underway in the area, Ted Weinstein, Director of New York City Department of Housing Preservation and Development's (HPD) Bronx Planning Unit, led a NHNY site tour on July 12.
Housing and commercial development is booming in the Bronxchester Urban Renewal Area. Projects include: the two-story "Hub Retail and Office Center" currently in construction across Brook Avenue; the planned "Plaza at the Hub" office building, shopping mall, and residential complex southwest of the NHNY site; and Melrose Commons, an urban renewal area northwest of the site, which already has over 1,400 new units of housing (out of a projected number of 3,200 units) completed or in construction.
NHNY is the first-ever juried architect-developer design competition for affordable and sustainable housing in New York City. The project encourages new forms of design in developing a mixed-use, mixed-income project, which includes use of approximately 20,000 square feet of air rights located above the adjacent, privately-owned railroad track. In conjunction with the NHNY Legacy Project competition, the HPD and the AIA NY Chapter hosted the visit to the project site. For more information about the competition, go to the NHNY website.
Virtual Southpoint Gallery Online
Architecture Week—Save the Dates!
10.06.06 – Films! Films! Films!
For more information on these and other citywide programs and activities, click here. The Center for Architecture will also serve as the Information and Welcome Center for openhousenewyork on October 7 and 8.
Submit your response for the latest poll: How green is your home?
Results from last issue's poll:
On September 14, an elite group of New York design professionals will literally be putting themselves on the auction block—all for a good cause. Guests at "Designer's on the Block" will have the opportunity to "bid" on a participating designer, who is donating his or her design services, in a live auction. The impetus behind the event is to raise awareness that NY State doesn't maintain mandatory regulations for the design profession. Hosting the event is the Interior Designers for Legislation in New York (IDLNY), the only not-for-profit volunteer organization devoted exclusively to raising the bar for the Interior Design profession in NY.
Participating designers include: Bill Bouchey, Mancini & Duffy; John Bricker, Gensler; Shashi Caan, IIDA, Shashi Caan Collective; Jamie Drake, Drake Design Associates; Rick Focke, HOK New York; Russell Groves, S. Russell Groves; Gary Lee, Gary Lee Partners; John Mack, FIIDA, HLW International; Nestor Santa-Cruz, IIDA, SKB Architecture; Adam Tihany, Tihany Design; Calvin Tsao, AIA, Tsao + McKown; and Barbara Zieve, IIDA, Butler Rogers Baskett.
The event will be held at The Mohawk Group from 7:00-9:30pm. A VIP reception to meet the designers will be from 6:00-7:00pm. To purchase $150 tickets or for more information, check out the IDLNY website, or call 518.463.6765.
NAMES IN THE NEWS
Three New York City names were on the shortlist for the joint Global Green USA- Brad Pitt competition to elicit sustainable and affordable residential prototypes for the rebuilding of New Orleans: Drew Lang Architects/Drew Lang; Workshop APD/Matthew Berman, Assoc. AIA, and Andrew Kotchen, Assoc. AIA; and Frederic Schwartz Architects/Frederic Schwartz, FAIA… Milano The New School for Management and Urban Policy and Parsons The New School for Design have received first place in the JP Morgan Chase Community Development Competition. The team's proposal, made in conjunction with partnering organization The Fortune Society, included development of a multi-use building for a vacant site in Manhattanville…
Annual Art Commission Awards have been awarded to recognize design excellence in public projects. Projects recognized in 2005 include: Weeksville Heritage Center and Adjacent Landscape: Caples Jefferson Architects and landscape architects Elizabeth Kennedy and artist Chakaia Booker; Ronald McNair Park: Department of Parks & Recreation (Nancy Prince); Flight 587 Memorial and Adjacent Landscape: Department of Parks & Recreation (Rachel Kramer and Kevin Quinn), artist Freddy Rodríguez; Kaitsen Woo Architects; Signe Nielsen Landscape Architect; STV Incorporated; and design consultant to the artist Situ Studio; Construction of a Step Street: Landscape Architects Molly Bourne and Mathews Nielsen; Construction of Five Street End Parks: Department of Parks & Recreation (Claire Dudley and Natasha Andjelic); Center for Global Conservation: FXFOWLE Architects and Wildlife Conservation Society; Tallman Island Water Pollution Control Plant: Earth Tech by George Shelden and Project Management by Blasland, Bouck and Lee; Historic Inventory and Replacement of Seven Robert Moses-Era Vehicular Bridges and Adjacent Landscapes: Pressley Associates, McGinley Kalsow & Associates, and Project Management by URS; and Special Recognition Award: The GreenBranches Program…
Robert E. Luke, AIA, of Meridian, MS, has been elected president of the National Council of Architectural Registration Boards (NCARB)… Julia Lindh has been named Executive Managing Director of Milo Kleinberg Design Associates' newly opened Stamford, CT office…
The American Council of Engineering Companies of New York has inducted its new officers and board members for 2006/2007, including New York City-based executive committee members President-Elect Gregory A. Kelly, PE (Parsons Brinckerhoff Quade & Douglas) and Vice President Elliot G. Sander (DMJM Harris). Appointed Metropolitan Region directors include: Lee W. Abramson, PE (Hatch Mott MacDonald), Husam Ahmad, PE (HAKS Engineers and Land Surveyors), Michael P. Cavanaugh, PE (Edwards and Kelcey Engineers), Joseph F. Falbo, PE (Earth Tech), Neil J. Lucey, PE (Daniel Frankfurt), Richard A. Maitino (Parsons), John Spencer, PE (URS Corporation), Barbara Thayer, PE, RA, AIA (B. Thayer Associates), and Joel S. Weinstein, PE (Thornton Tomasetti)…
Crowds gather at CitySol—a summer music and market series at Stuyvesant Cove Park. Interactive exhibitions include a solar powered stage, and Situ Studio's passive solar canopy and "wind turbines."
Courtesy Situ Studio
At the "City of Culture" opening (l-r): Randall Bourscheidt, president of the Alliance for the Arts; Frank Sciame, Hon. AIANY, exhibition sponsor; and Hugh Hardy, FAIA
"City of Culture" (l-r): Laurie Beckelman, Hon. AIANY, Frank Sciame, Hon. AIANY; Susan Chin, FAIA; and Sara Caples, AIA, Caples Jefferson Architects (exhibition designer)
"City of Culture" (l-r): James Russell, architecture critic, Bloomberg News; Elizabeth Diller and Ricardo Scofidio, AIA, Diller Scofidio + Renfro; and Belmont Freeman, AIA, Belmont Freeman Architects and president of Storefront for Art and Architecture.
Emerging NY Architects Committee member and competition coordinator Darris James, Assoc. AIA covers the bar at the opening for the Southpoint: from Ruin to Rejuvenation Awards Exhibition at Gallery RIVAA on Roosevelt Island.
Jessica Sheridan, Assoc. AIA
At the Southpoint: from Ruin to Rejuvenation Awards Exhibition opening, ENYA presented Gallery RIVAA with a copy of ENYA's 2006 Emerging Professionals Program of the Year Award, presented to ENYA at the AIA Convention. (l-r): Esther Piaskowski Cohen, Gallery RIVAA vice president; Tadeusz Sudol, Gallery RIVAA president; Darris James, Assoc. AIA , ENYA member and competition coordinator.
Jessica Sheridan, Assoc. AIA
Submission: Green Buildings Open House Brochure Design
GreenHomeNYC is searching for cover art for a brochure to be developed in conjunction with this October's Green Buildings Open House. The winner will receive a GreenHomeNYC T-shirt and printed copies of their work.
Submission: New York NightSeeing Map
The Illuminating Engineering Society of New York, in partnership with Parsons The New School for Design, is looking for existing and pending projects to be featured in their NightSeeing Map, an illuminated "walking tour" showcasing exemplary civic design projects in New York.
Submission: More Songs About Buildings and Food Cookbook
Lower Manhattan Cultural Council invites submission of "recipes" for the future of downtown, south of 14th Street. Projects in any medium or discipline are welcome, and topics can be as diverse as design for a new public piazza to instructions for making a new kind of pizza.
Submission: HERE WAS NEW YORK Photo Exhibition
Brooklyn Arts Council is accepting photographs for a simultaneous, six-gallery show marking the fifth anniversary of 9/11. Photos should document the Twin Towers as they appear throughout the New York Metropolitan region in exterior and interior vernacular expressions such as wall murals, homemade shrines, logos, graffiti, tattoos, and merchandise displays.
Submission: Tile of Spain Awards
The Spanish Ceramic Tile Manufactureres' Association (ASCER) seeks entries for its fifth annual Tile of Spain Awards of Architecture and Interior Design competition. Projects that incorporate ceramic tiles from Spain will be awarded 18,000EU in each of the architecture and interior design categories, and 9,000EU in the student category. Projects must be completed between January 2005 and October 2006, and they can range from new construction, renovation and restoration projects, urban development, and exterior landscaping.
Submission: Eye for Why
Dyson announces Eye for Why, a US-based design competition that encourages students to think differently by designing products that solve everyday problems. Five awards will be conferred; the first-place winner will receive $5,000, a trip to the awards ceremony held in New York, and a chance to compete for The James Dyson Award.
Note: All deadlines that have been announced in e-Oculus are now incorporated into the new and improved Calendar.
About Town: Exhibition Announcements
Photo by Michael Falco, courtesy Municipal Art Society
Focusing on New York City's working waterfront, this exhibition showcases documentary photographs by Michael Falco, as well as ship models and related relics, depicting what has changed and what has remained the same in the ship repair industry. Caddell Dry Dock and Repair Company, located on Staten Island, is one of the city's last working shipyards.
The Municipal Art Society; 457 Madison Avenue
Photo by Jackie Neale Chadwick, courtesy Municipal Art Society
This exhibition focuses on recent changes to the built environment of two Brooklyn neighborhoods and features images and text by local high school students and photos by resident photographer Jackie Neale Chadwick. The display is the product of the Urban Memory Project, a multi-school documentation program which aims to engage students in changes to their physical surroundings.
The Municipal Art Society; 457 Madison Avenue
No.1, by Stephen Barnett
Courtesy Alice Austin House
An exhibition of local artist Stephen Barnett, Symbiosis is a series of black and white images juxtaposed with color abstract images, which demonstrate the interdependence of the mind and the soul. On July 29, at 6:30pm, a special presentation by the Isadora Duncan Dance Foundation will be held, celebrating Alice Austen and Duncan as turn of the century creative women who advocated new ways to experience the environment.
Alice Austen House; 2 Hylan Boulevard, Staten Island
A collaboration among eight Brooklyn photographers, this exhibition attempts to locate the spiritual experience in nature, sometimes under man-made conditions.
Alice Austen House; 2 Hylan Boulevard, Staten Island
The exhibition of award-winning covers not only celebrates Metropolis' anniversary, but indirectly references "the evolution from analog to digital, showing the connections between culture and design," among other art milestones.
Steelcase Lobby; 4 Columbus Circle
Pieces from the Urban Forest Project (l-r): Sean Adams + Noreen Morioka, Los Angeles; John Pirman, New York; James Victore, New York
Courtesy Urban Forest Project
Featuring some of the world's most celebrated designers and visual artists, Times Square will be the site of an exhibition of 175 banners, drawing from the natural inspiration of trees. The banners will eventually be converted into tote bags, which will be auctioned off to benefit design education.
Would you like to get your message featured in eOCULUS? Spotlight your firm, product, or event as a marquee sponsor of eOCULUS, the electronic newsletter of the AIA New York Chapter. Sponsors receive a banner ad prominently placed above the table of contents. Your message will reach over 5,000 architects and decision-makers in the building industry via e-mail every two weeks (and countless others who access the newsletter directly from the AIA New York web site). For more information about sponsorship, contact Dan Hillman: firstname.lastname@example.org or 212.358.6114.
Looking for help? See resumes posed on the AIA New York Chapter website.
Our clients, NYC's most desired architectural practices, have requests at all levels for design and production:
CFA has been building consulting careers for 22 years. Our project and permanent positions offer great opportunities for career path development.
As an architect working on a consulting basis, you benefit by working on a per-project basis, setting your own fees and schedule, while building your portfolio and experience, for a greater long-term career purpose.
We have openings at New York's most desired practices, and have successfully matched over 5000 people, since 1984, with firms that share likeminded design sensibilities such as yours.
Must have architecture degree and excellent CAD skills.
Ensure renovations are attractive, functional and code compliant. Identify critical procedural and scheduling issues. Resolve issues with DDC and Contractors regarding budgets and schedules. Advise Manager, Capital Program on schedule/budget issues.
Bachelor's Degree: Architecture, Interior Design or Engineering. Minimum 8 years experience in construction project management. Working knowledge of construction practice, cost and schedule management and building codes. Verbal and written communication skills. Familiarity with NYC Department of Design & Construction. MS Office Suite, CADD, MS Project. Driver's license.
Send resume to: Brooklyn Public Library, Staffing and Recruitment, Grand Army Plaza, Brooklyn, NY 11238 or email to: email@example.com
The Brooklyn Public Library is an Equal Opportunity Employer
Director of Campus Facility Planning & Design
NBBJ is a multi-national design firm with 700+ employees. Our New York Studio is seeking mid-senior level architects and interior designers that embrace a highly collaborative and integrated work environment. The ideal candidate will be well versed in Commercial and/or Healthcare projects, yet there is tremendous opportunity to work on all project types. For more information about NBBJ and career opportunities please visit www.nbbj.com.
Please submit resumes to:
REQUEST FOR PROPOSALS
The New York City Department of Housing Preservation and Development (HPD) is pleased to invite experienced real estate developers to respond to a Request for Proposals (RFP) for a mixed-use development on a 103,000 square foot City-owned site in Wallabout, Brooklyn. The project will include a mix of housing types (homeownership, rental, and permanent supportive housing), ground-floor neighborhood retail/commercial space, 15,000 square feet of community facility space, landscaped open space, and parking. As a pilot for New York City's Design and Construction Excellence Initiative, this project should serve as an outstanding example of high-quality, sustainable design and construction that is financially feasible and responsive to the community. All buildings in the project must achieve Leadership in Energy and Environmental Design (LEED) certification. Applicants are responsible for assembling a development team that will include members with expertise in mixed-use development and design excellence. Proposals will be reviewed by HPD with input from the New York City Department of Design and Construction (DDC) and the Community Task Force for the Redevelopment of the Brig Site.
A minimum of 50% of the residential units, not including the permanent supportive housing, must be affordable to households earning a maximum of 135% of the Area Median Income (AMI); a minimum of 20% must be affordable to households earning a maximum of 80% of AMI. A minimum of 75 permanent supportive housing studio units must be provided and affordable to individuals earning a maximum of 60% of AMI.
The RFP will be available on July 20, 2006 on HPD's website, www.nyc.gov/html/hpd/html/developers/rfp.shtml, or a hard copy may be purchased for a $75 non-refundable fee in the form of a certified check or money order payable to the New York City Department of Finance.
A pre-submission conference will be held at HPD, 100 Gold Street, Room 1R, New York, NY 10038 on August 2, 2006 at 2:00 p.m. All proposals are due by hand no later than 4:00 p.m. on November 1, 2006. Inquiries should be directed to: Carolyn Zern, HPD Office of Development, Division of Planning and Pipeline Development, 100 Gold Street, Room 9G-4, New York, NY 10038; Telephone: (212) 863-6519; E-mail: firstname.lastname@example.org.
Immediate Opening for a Mid-level Architect/3-D Designer
To learn more about the firm, visit www.cgpartnersllc.com. Email resume and pdf portfolio with cover letter to: email@example.com. Please include "Architectural Opportunity" in the subject line.
KPF seeks an Architectural Designer in NYC, NY to perform all phases of arch design under direction of licensed architect; work on large comm and res projects in China; confer with Chinese clients, coordinate w/ Chinese consultants on design issues; conduct drafting/3D modeling/rendering by AutoCAD, Rhino and 3dsMax. Familiar w/ curtainwall detail design and specs; knowledge of China Code & Bldg Energy Regs. Req. M.Arch + min 2 yrs exp in job. Fluent in mandarin a +. Email CV & work samples to firstname.lastname@example.org. Ref job code KPFO. EOE.
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The three-year, $44 million renovation itself "has been a real learning experience," as Hazard explained it, beginning with educating the various construction crews about why the building is a Modernist treasure—i.e., no, you're not going to fill in the chinks in the cement columns or plaster over the graffiti on the exterior of stairwell "drum" where once a young Foster, Meier, Gwathmey (who's leading the A&A restoration/expansion), and the like scribbled phone numbers and doodles next to a pay phone. A screening of Nathaniel Kahn's "My Architect" won them over.
It's obvious that Kahn learned his lessons well. The Yale Art Gallery was his first major commission. Across the street is his last: the Yale Center for British Art (YCBA), completed three years after his death in 1974. While the Art Gallery now offers sweeping views across horizontal planes, the YCBA soars with 56 glass pyramids atop the roof and two four-story, skylit interior courtyards, beautifully restored by Gregg, Weiss & Gardner Architects in 1998.
Along with Hazard, the Yale Art Gallery team includes design partners James Polshek, FAIA, and Richard Olcott, FAIA. The project, scheduled to open December 10, is part of the University's Master Plan for the Yale Arts Area, for which Hazard is also the lead architectural planner.